Fleurs photographiées by Adolphe Braun, 1853
Source: frenchtwist
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Via heartmindawakening:
Edmond-François Aman-Jean |Venise, Queen of the See (1893)
Alphabet Pornographique by Joseph Apoux, c. 1880
Also
Source: frenchtwist
” Bookplate — Mermaid With Comb and Mirror “ …. Engraving, No Date, Probably 19th Century
Source: sailorgil
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No. 13 by Pierre Louÿs, 1898 (From a “bullet album”)
Source: foxesinbreeches
Two Nude Bathers Under a Tree at the Water’s Edge (Deux baigneuses nues sous un arbre au bord de l’eau) (1895) by Aristide Maillol (French, 1861–1944)
Source: moma.org
Marie de Régnier by Pierre Louÿs, 1898
Source: foxesinbreeches
It is always sad to leave a place to which one knows one will never return. Such are the mélancolies du voyage: perhaps they are one of the most enriching things about traveling.– Gustave Flaubert, from a letter written to Louis Bouilhet, June 2, 1850
Source: liquidnight
Mary, Mary, quite contrary
Kate Greenaway, from Mother Goose, London, New York, 1881.
(Source: archive.org)
Source: oldbookillustrations
By John Atkinson Grimshaw (1836-1893)
Source: rrrick
Slavische Märchen (1878)
(via sailorgil)
Source: archive.org
I don’t know why it didn’t occur to me earlier that I could, in fact, conquer the ridiculously yellow pages of my sketchbook with things like this. I wish The Yellow Book was still around. I should publish my own.
Source: fyodorpavlov
She’s cute. A Cupid fairy of some sort from the 1890s, when such things roamed the earth in hordes before they were cut down like the buffalo.
Source: retronaut.co
Ballgown, Restoration (1814-1830).
Frontispiece from Yester-Year, written and illustrated by Albert Robida, London, 1892.
(Source: archive.org)
Source: oldbookillustrations
Carnation.
Jean-Jacques Grandville, from Les fleurs animées (animate flowers), collective work, Paris, 1867.
(Source: archive.org)
Source: oldbookillustrations